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Thoughts on BB

I wrote this on BB King on his passing and only posted to Facebook at the time: I think his childhood traumas (death of his matriarchs, violence of his patriarch) mimicked those African-American culture as a whole pre-Civil Rights; his sound and look were always with the utmost of dignity and graciousness and deep feeling together as a result. He also continued to educate himself, practicing guitar scales and learning different spoken languages until well after he had to do those things. His autobiography is unflichingly honest but also unflinchingly humble. His originality came in part from his limitations: he famously couldn't play slide like his uncle Booker White or chord like T-Bone Walker, so he developed his own style, in part from trying to make his guitar sound like a horn. His vocals, often overlooked, come straight out of the Gospel music tradition and his guitar is so powerful because it responds to each vocal line. Later, he recognized that he was an ambassador of the ...

Impressions from TINA (HBO)

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Just finished the Tina Turner documentary on HBO and wow, that was intense. It's beautifully done and the performances are absolute dynamite. It's a thrill to hear her speak, so deliberately and vividly. My respect for her has certainly skyrocketed. The documentary took things from the start of her time with Ike first, through her time leaving him,  before rewinding to her time as a kid about 50 miles east of Memphis, TN in Nutbush, TN. (There's an exhibit about her at a rest stop on I-40 alongside Sleepy John Estes' cabin.)  She talks about Ike as an idol of hers and joins him on tour while she's still in school and it's understandable why: Ike was a musical genius who played a key role in inventing the rock & roll and funk genres as a producer and multi-instrumentalist. I got a lot out of what Katori Hall had to say. Hall is a playwright (including of the Tina musical) and screenwriter, but, in the film, who could provide perspective as a black, femal...

A Review of the Kimbrough Cotton Patch Blues Festival

I shared some thoughts on this fest with Americana Highways.

Lunch with the King of Jack's

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I hung in New Orleans for a week around Jazz Fest , mostly working, but also having some fun at the fest and at night. My buddy Jeff and I went to see 78 year old Little Freddie King , ostensibly to see a set and then go to another show, but Freddie was so good that we stuck around for two sets (and our friend Caitlin joined us!). Freddie plays what he calls gutbucket blues, with his manager/label head "Wacko" Wade on the drums and a longtime harmonica player with him. I know from reading his Living Blues feature that King used to be a student of BB King. I think he knows what gets people dancing in NOLA isn't King-style blues. His good friend and fellow bluesman Alabama Slim walked in at one point and immediately a woman started dancing with him. I noticed that King played a lot of Louisiana blues: namely Slim Harpo's "Scratch My Back" (a personal favorite), a Jimmy Reed tune, and Guitar Slim's "Things That I Used To Do." He started one ...

Intro

After living my entire life (with the exception of two three-month periods) in the northeast, I picked up and moved to Memphis, TN. I'm a huge blues fan. This blog will serve as a spot for experiences, reflections, thoughts, and missives on the blues.